Bridget Riley - Elongated Triangles - C & C Art & Design Gallery

BRIDGET RILEY – ELONGATED TRIANGLES

Bridget Riley (b.1931)

Elongated Triangles

Screenprint

1971

Signed and numbered in pencil

Image size: 96.5 x 27.9 cms

In perfect condition

Price on request

 


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Description

Bridget Riley signed prints and originals

English painter who is one of the foremost exponents of Op art. She currently lives and works in London, Cornwall and the Vaucluse in France. Riley’s mature style, developed during the 1960s, was influenced by a number of sources, including the French Post-Impressionist artist Georges Seurat. In 2015-6, the Courtauld Gallery, in its exhibition “Bridget Riley: Learning from Seurat”, made the case for how Seurat’s pointillism influenced her towards abstract painting. As a young artist in 1959, Riley saw The Bridge at Courbevoie, owned by the Courtauld, and decided to paint a copy. The resulting work has hung in Riley’s studio ever since, barring its loan to the gallery for the exhibition, demonstrating in the opinion of the art critic Jonathan Jones “how crucial” Seurat was to her approach to art. Riley described her copy of Seurat’s painting as a “tool”, interpreted by Jones as meaning that she, like Seurat, practised art “as an optical science”; in his view, Riley “really did forge her optical style by studying Seurat”, making the exhibition a real meeting of old and new. Jones notes that Riley investigated Seurat’s pointillism by painting from a book illustration of Seurat’s Bridge at an expanded scale to work out how his technique made use of complementary colours, and went on to create pointillist landscapes of her own, such as Pink Landscape (1960), painted soon after her Seurat study and portraying the “sun-filled hills of Tuscany” (and shown in the exhibition poster) which Jones writes could readily be taken for a post-impressionist original. In his view, Riley shares Seurat’s “joy for life”, a simple but radical delight in colour and seeing.Riley began investigating colour in 1967, the year in which she produced her first stripe painting. Following a major retrospective in the early 1970s, Riley began travelling extensively. After a trip to Egypt in the early 1980s, where she was inspired by colourful hieroglyphic decoration, Riley began to explore colour and contrast. In some works, lines of colour are used to create a shimmering effect, while in others the canvas is filled with tessellating patterns. Typical of these later colourful works is Shadow Play.


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